I've got a bigger fish to fry
Roof battens, Euro pallets, truck tarpaulins, metal plates, ropes - the materials that Kirstin Arndt has been working with since the 1990s are simple, industrially manufactured and familiar to every viewer. In her minimalist yet expansive works, which she creates from these everyday materials, she explores the relationship between line, surface and space. She is interested in the transition from the two-dimensional to the three-dimensional as well as the change between form-finding and form-dissolution.*
Kirstin Arndt's working principle is to react to the respective exhibition space. In her first solo exhibition at Galerie Mathias Güntner, she also refers to the structures, proportions and dimensions of the gallery space.
We are looking forward to the exhibition and the future collaboration with Kirstin Arndt as an artist of the gallery.
Mathias Güntner & Team
* Anne Schloen, in KIRSTIN ARNDT, Henbury, 2018
Roof battens, Euro pallets, truck tarpaulins, metal plates, ropes - the materials that Kirstin Arndt has been working with since the 1990s are simple, industrially manufactured and familiar to every viewer. In her minimalist yet expansive works, which she creates from these everyday materials, she explores the relationship between line, surface and space. She is interested in the transition from the two-dimensional to the three-dimensional as well as the change between form-finding and form-dissolution.*
Kirstin Arndt's working principle is to react to the respective exhibition space. In her first solo exhibition at Galerie Mathias Güntner, she also refers to the structures, proportions and dimensions of the gallery space.
We are looking forward to the exhibition and the future collaboration with Kirstin Arndt as an artist of the gallery.
Mathias Güntner & Team
* Anne Schloen, in KIRSTIN ARNDT, Henbury, 2018